Music and Politics

Music and Politics
No 208, 2004/3 - 210 pages
Pages 3 to 5

Music and Politics: New Approaches

By Christophe Prochasson
Pages 7 to 28

A Musical Institution between Withdrawal from and Implication in the Political Sphere: The Paris Opera During the Franco-Prussian War and Under the Commune

By Déborah Cohen
Pages 29 to 43

Italian Socialists and Music (1880–1922)

By Marco Gervasoni
Pages 45 to 69

“The Germans and the Bosch”: German Music in Paris during the First World War

By Esteban Buch
Pages 70 to 90

The Politics of Transcendence: Ideology in Olivier Messiaen’s Music During the 1930s

By Jane F. Fulcher
Pages 91 to 124

Reactionary Musicographers in France during the 1930s

By Philippe Gumplowicz
Pages 125 to 143

Pablo Casals or the Modalities and Meanings of a Musician’s Commitment

By Phryné Pigenet
Pages 145 to 165

The Discovery of Bela Bartok in Post-World War II France: Issues and Controversies

By Michèle Alten
Pages 166 to 179

The Invention of the “Great Repertoire”

By Emmanuel Pedler
Pages 180 to 209

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